theatrical | thrillshirker | Emil Cioran tribute act

whitby, yorkshire
Joined August 2020
describe yourself in four tv characters. here are mine.
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I'm vegan for ethical reasons as of twenty years now but still deeply mourn the memory of foods long forbidden by conscience but not forgotten. And this is not helping, Twitter.
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π–Œ 𝖏 π–π–Žπ–‘π–™π–”π–“ retweeted
Small Rectangular Pavilion Tent, Persian, late 19th century slam.org/collection/objects/… #slam #museumarchive
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π–Œ 𝖏 π–π–Žπ–‘π–™π–”π–“ retweeted
I found the first tweet
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π–Œ 𝖏 π–π–Žπ–‘π–™π–”π–“ retweeted
Super exited to share our latest article about #mosys, the publication and #multimodal #annotation part of our Motion Bank System β†’ medium.com/motion-bank/dance…
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I fall for the @Palgrave December sale every year, hook, line and wallet. Just unpacked this year's <cough> third consignment. (All you'd need to add would be some vegan Caribbean food and this would be a detailed and strikingly lifelike self-portrait.)
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π–Œ 𝖏 π–π–Žπ–‘π–™π–”π–“ retweeted
This one is the winner.
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π–Œ 𝖏 π–π–Žπ–‘π–™π–”π–“ retweeted
Umberto Eco picking a book from his library is the best thing on Internet today.
Umberto Eco buscando un libro en su biblioteca personal. Impresionante.
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π–Œ 𝖏 π–π–Žπ–‘π–™π–”π–“ retweeted
Teaching Spanish Romanesque sculpture today & its β€˜choreography without music.’ I love this Deposition from Santa Maria in Taull: only Joseph of A, the Virgin, the Bad Thief, & Christ survive - the L side of the narrative lost. A half-portrait of grief in suspended animation #art
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Floating Coast by @brdemuth is not just the single most important -and most gorgeously writtenβ€”book I read in 2020, but is also the reason I finally began a history postgrad this autumn. Life changing in several senses.
Congratulations to @brdemuth, whose book Floating Coast: An Environmental History of the Bering Strait recently won the inaugural Eric Zencey Prize in Ecological Economics! The prize is awarded by @GundInstitute, in partnership with @ussee. uvm.edu/gund/news/eric-zence…
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#Scenocity Greg Dickinson: Spaces express which bodies are welcome, which excluded. H'wood Farmers market engaging city 'sensuously' through dirt - the emplacedness of embodied experiential event and place, and how they produce eachother.
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Two dirtinesses - the appealing and appalling in the dirty city. - the unhomed and marginalised as problem that needs 'cleaning up' - Tinseltown pop culture as symbolic dirt Farmers market as symbolic recreation of dirt. Matter out of place. Order contravened.
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"Where there is dirt, there is system." Dirt as the index of life that dreams it., as marker of boundaries. What is the rhetoric of dirt? Here, abject dirt replaced by 'authentic' dirt. Market = hipster bodies performing & performed by upscale down-to-Earth dirt.
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#Scenocity Zlatan Krajina: World as noise while otherwise engaged. Attention no longer the desired mode of engagement. We intersect with screens rather than view. Heroic urbanism imagined public as subjects; data city is plastic in post-apocalypse as commercial becomes civic.
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Meaningful background: 'posthuman' in the sense it does not privilege attention, evokes an overall feeling of heterogeneity not managed by humans, of encounter and reaction as performative element. These screens conceal as much as display or dominate.
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#scenocity Tom Edensor: How scenography (horticulture, architecture) of walking spaces (eg Hampstead Pergola) cultivates sensory participation & solicits specific (conventional) social behaviours. A "learned grammar of sociability" which shapesβ€”reclaimsβ€”emotional performativity
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#Scenocity Richard Koeck: Narrative of the last 120 years is of cinematic phenomena spilling out into the urban real, of a protagonist effect, of creative exchange between us and the city.
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#scenocity Monica Degen: (on Smithfield) Atmosphere a sensory correlate of: - the multiple histories drawn on by different groups to frame their experience of place - the multiple temporalities by which it is experienced - manufacture and staging of constructed meanings
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Oh good, another day of meaningless torture. I pray ceaselessly for death but there is no mercy at all.
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